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Flatland also released as Flatland The Film and Flatland The Movie is a 2007 3D computer animated film based on the 1884 novella Flatland A Romance Of Many Dimensions by Edwin Abbott Abbott. The film was directed and animated by Ladd Ehlinger Jr. in Lightwave 3D. The screenplay was written by author Tom Whalen. The music was composed by Mark Slater.


Plot[]

In a 2D world called Flatland populated by living squares, triangles, circles and other 2D shapes, it is 3 days until the celebration of the year 3000. A Square, attorney at law, struggles to instruct his grandson, A Hexagon, in the art of sight recognition. The lesson is interrupted by A Square brother B, a clerk to President Circle, warning A to stay home during a meeting at the Senate of the Great Southern Republic of Flatland.

The Senate session has been called to discuss the increasing hostilities between the government and the Chromatist movement, led by Senator Chromatistes, an irregular dodecagon. The movement seeks legalization of the right of Flatlanders to color their sides as they see fit. Traditionally taboo, laws against it had been relaxed this emboldened the Chromatists to demand legalization. The Great Southern Republic distinguishes itself from it enemy, the Northern Kingdom, by it stances on Chromatism and Irregulars along with a democratic government. Relaxing the laws has already been perceived as weakness by the Northern Kingdom who are massing on the borders.

Against his brother warning, A Square meets his new client, the first female charged as a Chromatist on his way home he is caught in the melee leaving the Senate. President Circle soldiers killed Senator Chromatistes and his supporters, sparking a riot across the city. A Square just gets home safely, then barricades his family against the chaos for the night.

Once asleep, A Square dreams of visiting a 1D world, Lineland, and attempts to convince the realm ignorant king of a 2D, but fails to make him see outside of his eternally straight line. A Square awakens to learn that the deadly riots originated in the Senate meeting that B Square was attending. A visit to B Square home confirms that he is missing. A Square scours the city, now under martial law, seeking B Square. At the marketplace, he meets a merchant selling a fascinating glow point, and buys one for A Hexagon, who has been sulking since being disciplined for coloring one of his sides purple.

The family prepares for another anxious night, only to be terrified by the sudden appearance of A Sphere, CEO of Messiah, Inc. A Sphere declares that A Square is his apostle of the 3D and privately begins to explain things to him. A Square refuses to entertain the notion of 3D, resorting to violence with A Sphere. A Sphere decides the only way to convince A Square of the 3D is to show him.

Suddenly and painfully, A Square is plucked out of his dimension and into Spaceland. After the initial shock, the reality of 3D becomes clear to A Square, along with the possibility of locating his brother from his newfound vantage point. Having business himself at the Great Hall, A Sphere brings A Square to look for his brother there. On their arrival, A Sphere expounds upon 3D to President Circle and the Priests who anticipated this event. After rejecting A Sphere message and attempting to kill him, the Flatland leaders execute all who have witnessed the event, except B Square, who is imprisoned for life on pain of death in exchange for his silence while his brother watches from high above Flatland.

Realizing that time in Spaceland is short, at least for A Square, A Sphere brings him to Messiah, Inc. to finish his education on the gospel of 3D. Enthralled by the complex world of Spaceland, A Square posits further about 4D and so forth to A Sphere who dismisses it as nonsense. Meanwhile, A Square intrusion into Spaceland has become a national emergency, which prompts the Spaceland Senate to call to him to appear for a hearing, to explain this breach of protocol of bringing a Flatlander into their midst. They claim it will be viewed as an act of, and provocation for, war by their enemies, the X Axis.

During the hearing, A Square also learns that the X Axis considers the Great Senate as weak because they have allowed the continued existence of his own world, Flatland, which they view as an abomination. As the debate rages, an ailing A Square tries to explain his theory of dimension to an unsympathetic crowd. Air raid sirens wail as A Square collapses from the overwhelming effects of gravity on his 2D body and chaos ensues.

A Sphere manages to send his dying apostle back on his way to Flatland via a mailing tube before bombs destroy both Messiah, Inc. and A Sphere himself, but A Square journey back is halted by A Sphere hovercraft, who attempts to crush A Square to avenge A Sphere death. But, an X Axis ship crashes into and destroys the hovercraft, and A Square ends up plunging in free fall toward Flatland and through its surface into unknown regions below, where he experiences a revelation on dimension and infinity.

A Square finds himself in his own bed on the eve of the year 3000 and his family informs him that the government has issued orders for the arrest of anyone proclaiming the gospel of 3D. Undeterred, A Square hurries to see his brother in Flatland jail to discuss their new shared knowledge of the 3D. B Square, afraid of execution, denies the experience and in a panic assaults his brother who falls temporarily into an unconscious state where he hallucinates A Sphere along with the Monarch of Pointland who curiously resembles a glow point. As the Monarch drones on in his monologue of being the all in all, the one in the one, A Sphere informs his former apostle that time is short and A Square must proclaim the gospel of the 3D to his fellow Flatlanders although they, like the Monarch, will probably remain trapped within their own perspectives.

Returning to himself, A Square escapes Flatland prison and outruns the guards. Arriving home, A Square informs his wife that they are going to defect to the Northern Kingdom where he might be able to spread the gospel of 3D to a more open minded populace. The soldiers arrive and A Square escapes with the help of Frau A Square war cry that temporarily stuns them. Before he can reach the border, A Square is cornered by the soldiers whose attempt to dismantle and segment him is thwarted by the Northern Kingdom army attack. In the fracas, things suddenly begin to disappear as though sucked down through the fabric of Flatland until only A Square remains. He too begins to disappear until there is only his eye, then a point of light, a glowing point of light, which welcomes him into another dimension.

Voice Cast[]

  • Simon G. Hammond as A Sphere
  • Greg Trent as President Circle
  • Chris Carter as The King of Lineland
  • Linda Meigs as Mathilde and Millicent
  • Jon Shoemaker as Soldier Y
  • Ashley Blackwell as A Line
  • Michael Karle as the Pentagon Doctor
  • Dr. Jeff Sanders as Cube Carlton
  • Oscar Gutierrez as the Crazy Old Trapezoid
  • Ladd Ehlinger Jr. as A Square
  • Karen Ehlinger as Frau A Square
  • Megan Ehlinger as A Hexagon
  • Robert Ehlinger as B Square
  • Catherine Ehlinger as Frau B Square

Additional Voices[]

  • Denise Carter
  • Juliana Carter
  • Mark Carter
  • Jacqueline Clift
  • Colin Duckworth
  • Corin Ehlinger
  • Perrin Ehlinger
  • Raven Hood

ADR Loop Group (Northwood version)[]


Production[]

Ehlinger recorded dialogue for the film throughout 2005 in his home studio. Using off the shelf 3D animation software packages such as Lightwave 3D, Adobe After Effects and others, Ehlinger animated and edited the film by himself over the course of two years, starting in 2005. He sent completed animations to composer Mark Slater for scoring, who sent back audio files.

Reception[]

Most reviews were positive with specific criticisms, with one quite negative exception. At Sci Fi.com, Paul Dr Filippo gave the film a rating of A, stating that it entertains, enlightens and educates, and that Ehlinger manages to retain the Victorian satire on pomposity and cultural blindness while updating it to modern conditions. And it conceptual breakthrough is brilliantly handled. Dr Filippo single criticism was that the superimposed text exposition got a bit heavy handed. Film Threat reviewer Phil Hall referred to the film bold originality and vibrant intelligence, stating, Sequences throb with raw power, provoking visceral emotional responses. Hall flatly called it a work of genius, and gave it five stars of five.

Dennis Schwartz Ozus World gave Flatland an A, referring to it as smart, without being cheeky, in taking the likely unfilmable source material, and creating a spirited avant garde film. He summarized

There not a single thing about it that disingenuous or unworldly or superficial. It by a serious and gifted filmmaker who brings a light touch to his craft and does it without an ounce of pretentiousness or Hollywood phoniness or a sense of self consciousness.

Scott Green at An it Cool News called it captivating, an enjoyable mental amusement park ride, and something amazingly different and intriguing to watch. But he noted, the complexity of the world being explored does not coherently coalesce, and that the film attacks divisive topics with an undisciplined flurry of jabs. Green was intrigued by the film glib omniscient title cards, writing that their presence almost makes for a character in and of it.

Aylish Wood, reviewing in Science Fiction Film and Television, described the intertitles as fine for children, but annoying for adults, and found the math exposition to be painless but a touch too long. She found that too many plot threads were not tied up, and an overabundance of possible meanings, for example a slew of referencing around the character of Senator Chromatistes, which disperses our understanding. Wood noted flaws in pacing and the intertitles, but found the expression of emotion via color and music to be effective. Ultimately the film was a mixed feast with frustrating cluttered logic.

Carl Schroeder wrote in The Global Intelligencer that the film is one of two of the best movie versions ever made of the story. He states that the film preserves the biting social satire of the original story with ideas and abstract violence bleeding polygons not appropriate for little kids teens will be fine. He continues, the film touches on current events, including allusions to the Iraq war and anti gay prejudice, to conclude apocalyptically the book just ends with the protagonist in prison. Most adults will want to see both Flatland versions, sooner or later.

Dan Schneider of Blogcritics gave an overall negative review. He criticized the departures by the film from Abbott book, such as the character of the king instead being a president who wears a crown, and the divergence into satire when A Sphere visits A Square, where the sphere is a CEO, instead of Abbott mystical guide. Schneider points out that where A Square experience was originally religious, the film makes it a wow moment used to lead into some cheap gags, and states that the story dissolves. He found the film satire predictable, and described it as best when sticking to the book original points. Schneider faults writer Tom Whalen script for changing Abbott story too much, the music by Mark Slater as sometimes apt, but at other times a mess, the intertitle cards as annoying, the ending for being muddled and trying too hard for the relevance of 2001 A Space Odyssey, and the DVD it for lacking a commentary track.

In Mathematics in Popular Culture, Lila Marz Harper described the film as more radical than Flatland The Movie, showing more biological detail, and even dreams. She remarked that the film vividly mimics Abbott description of the physical remolding of children bodies to conform to societal norms, and adheres closely to the discrimination against women in Abbott story. She noted that some variations from the book were confusing one of A Square son is a hexagon, unlike the all pentagon siblings in Abbott story.

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